What is the future of music? A recent report quoted by the RIIA, says that “global music piracy causes $12.5 billion of economic losses every year“. How can the music business change to survive?

Photo credit: Robin Good
In the future of music there will be no CDs or MP3s. Music on the web will be unfettered and purchased in the same way in which you consume music on the radio or television. You do not pay an extra fee for music inside your favorite TV shows, right? Media futurist Gerd Leonhard defines this idea “music like water“.
How can music be like water?
Providers will be offering music as a small portion of payments you already make. It may be your hosting provider fee, your e-mail account, or even part of your telephone subscription, but you will have access to an unlimited quantity of music without even noticing.
“There should be a provision for me to pay along with the DSL or the mobile phone subscription. [...] In most contexts, this would be paid for by advertising so [music] would be subsidized [...] like we have now for BlackBerry.”
Allowing people to have an “unfettered, unrestricted and unlimited” access to music on the web, may also lead music piracy slow down. Copying and sharing music illegally no longer makes sense when you listen to as much music as you like, without paying for any single song.
In this video interview shot by Robin Good, Gerd Leonhard explains why the “business model of music is completely broken” and shares this exciting vision on the future of music.
Here all the details:
The Future of Music – Gerd Leonhard
Duration: 2′ 10”
Full English Text Transcription
Gerd Leonhard: In my view of the future of music… the good news is that of course everybody wants to listen to more music and consuming more music all the time.
We have more people listening on the web, more people listening to radio and television. Interest in music is booming.
The bad news is of course the business model of music, which is completely broken. It was based on selling units, selling copies.
Now we are switching to a model to where we are selling access first, and then the copies. It is a service model. Music as a service, music, as I like to say: “music like water“.
If you go to musiclikewater.com you can see what I write about this.
Basically it is a model that says that music should be included in the network access, just like music is now included in radio. We do not pay for music when we listen to radio and, of course, television.
Similar to that, music should be included when I go on the web. There should be a provision for me to pay along with the DSL or the mobile phone subscription. I would say in most cases, in most contexts, this would be paid for by advertising, so it would be subsidized or by bundled subscriptions, like we have now for BlackBerry.
We can see the first couple of models about online music evolving already in:
These models make a lot of sense, because the future of music, in my view, is basically an unfettered, unlimited, unrestricted access on a revenue-sharing basis, so that we go away from the climate of having a certain file format or a certain price or a certain way of delivery and we can open up the ecosystem.
I think that is true, in general for all future of media: we are moving to an open platform, a connective platform, a revenue-sharing platform. Basically an ecosystem of how the money flows rather than monopolies of how the money flows, which is what we had so far.
The Challenge For Independent Musicians – Gerd Leonhard
Duration 1′ 50″
Gerd Leonhard: The Internet is both good and bad news for independent musicians.
The good news is that we all get to use the tools that only the professionals had or the ones that were signed to major labels until now.
For example:
Those were tools that 10 years ago were only available with professional PR agencies or filmmakers and so on.
All these tools are now widely becoming available:
That is the good news.
The bad news is that because of the ease of this channel becoming available to everyone, the noise is just crazy. That is not really bad news. The bad news is that you have to cut through the noise.
The challenge for the independent musician or for independent labels is to get attention. To get people to pay attention, because when you get attention, you can turn that into money if you wish.
Without attention there is no money.
The challenge is – and this is what my advice for musicians would be – get as much attention as you can for your high-quality stuff.
This is the other really tough thing on the web: If you are not really good, nobody will pay attention. You cannot lie on the web, and I think that is good news, but some people think it is bad news.
You cannot act like you are good and not actually be good, because on the web you get found out. That is true for bloggers, writers and filmmakers. It is a very Darwinistic system.
For musicians, assuming that you are good, my word of advice would be:
- Get as much attention as you can for everything you should do,
- publish everything,
- build the audience, and then
- start converting the audience and the attention into some sort of way of monetizing it.
Video clips originally recorded by Robin Good for MasterNewMedia. Article editing by Elia Lombardi and Daniele Bazzano. First published on October 16th, 2009 as “The Future of Music: A Video Interview with Gerd Leonhard“.
About Gerd Leonhard

Gerd Leonhard is a media futurist as well as an author and writer, a media and Internet entrepreneur, a strategic advisor, and a keynote speaker & presenter. If you want to get a good feel for what he does, you can check out Gerd’s blog MediaFuturist or visit his Youtube channel.
If you are looking for a way to create an online compilation of your favorite songs, or a music playlist that you can openly share online, there is a new group of free services that allow you to do just that, while enabling you to publish your newly created music playlist on any blog or web site.

Photo credit: Robin Good
Playlist creators are built around search engines that index music tracks wich are publicly accessible on the web. You can search for any song you want, listen to it and then add it up to a music playlist, just like people used to do with cassette tapes back in the 70s. The nice thing is that you can tap into an enormous collection of music and can create a music compilation widget which can be publicly shared and republished on any web site or blog.
No matter which music playlist creation service you chose, the approach to creating a playlist is pretty striaghtforward:
- Search for the songs you want to have by author name or title.
- Add your favorite tracks to a new music playlist.
- Order the sequence of your music tracks (if permitted)
- Personalize the look and feel of the embeddable playlist widget. In most cases you can change the color, size and theme of the player and also fine-tune other options like auto-play or auto-shuffle.
- Grab the HTML code of your music playlist and paste it onto any web page or share your music compilation through social media sites like Facebook or Twitter.
When using a music playlist service are you infringing any copyright? Hard to say my friend. For the time being, these music playlist creators live in a kind of limbo between legal and illegal music streaming.
For obvious reasons, recording labels are not very happy with services like music playlist creators who mediate the access to their copyrighted songs. Given this uncertain situation, the future of these services is quite complicated. No-one can say clearly whether a music playlist creator will last forever or will perish to avoid lawsuits or copyright issues.
I myself experienced this uncertainty when two services I used to create my own mixtapes, Mixwit and Muxtape, disappeared some time ago to avoid pressures from recording labels.
To overcome copyright limitations, some of these music playlist creators provide access to 30-second long previews of the songs you request. Unfortunately, it is really difficult to imagine how anybody could create a decent compilation by using only 30 second chunks of songs.
Here, the key differentiating features I have used to put these services through their paces:
- Collaborative editing: Edit a music playlist in a collaborative fashion with other users.
- Look and feel personalization: Customize the appearance of an embeddable music playlist.
- Track Uploading: Contribute your own tracks to create a music playlist
- Sequence control: Choose the order of the songs inside a music playlist.
- Registration-free: Avoid any registration process to create a music playlist.
Please find below a comparison table and a full set of mini-reviews of all the available online services to create embeddable online music compilations.
Here all the details:
Where To Create Music Playlists, Compilations And Embeddable Music Mixtapes Comparative Table
Where To Create Music Playlists, Compilations And Embeddable Music Mixtapes
- Deezer
Deezer is a free music playlist creator and a radio streaming service. You can listen to complete music tracks from popular artists and, after registering, create a custom playlists to embed on your web site or social media. Deezer playlists are fully customizable: You can re-arrange the order of your tracks, choose between three widget sizes and set other options like auto-playing, auto-shuffle, equalization and even adjust fade-in / fade-out settings to smoothen the transition between tracks. You can also upload your own MP3s to mix with tracks you collect on the web and create collaborative playlists with other Deezer users. To share your playlists, just grab the specific HTML embed code and paste it on your website or social media page. You can also share your custom playlist via e-mail, Twitter, or simply via URL. Deezer is also accessible from iPhone and iPod Touch with a dedicated app.
http://www.deezer.com
- Jamendo
Jamendo is an online music community where all songs are published under Creative Commons licenses. To use the service you can register as a listener or an artist. Listeners can browse the music catalogue, listen and download tracks, and also share songs or entire playlists on the web. As an artist you have the same privileges as a listener, plus you can upload your own tracks and even monetize your music through Jamendo ad-revenue sharing program or donations. Each playlist you create may contain single tracks or entire albums that are inside the Jamendo library. Tracks inside a playlist can be freely re-arranged, but there are no other customization options available. Each playlist has a specific version to be embedded on MySpace. Jamendo also offers free online radio streaming. Just pick a radio according to a music genre and listen to it inside a browser pop-up. Collaborative playlists are not supported.
http://www.jamendo.com/
- Songza
Songza is a free online music search engine that helps you find your favorite tracks by aggregating results from YouTube and Imeem. Some songs can only be played for 30 seconds due to copyright restrictions. The service has a very intuitive interface that allows you to click on the title of a song and then listen, rate, share the song via URL, Facebook, Twitter or e-mail, and also add the song to a custom playlist. All items inside a playlist are freely re-arrangeable, but no other customization options are available. To save and share a playlist you need to create an account on Songza. When you are listening to a song, click on “listen to similar” to have Songza suggest other possible tracks you might like. Uploading your own songs and creating collaborative playlists is not supported for the time being.
http://www.songza.com/
- Grooveshark
Grooveshark is a free music playlist creator. You search for songs you like on the web and then arrange songs into a playlist. You can then modify the order of your playlist, save it and embed your playlist on your web site using a web widget. To save and embed your tracks registration is mandatory. Currently there are two types of widget you can fully customize to match the look and feel of your web pages: You can change widget color, size, theme and also set advanced options like auto-shuffle and auto-play. To share your songs you can also use Twitter, Stumbleupon, Facebook or email from the widget itself. Users that want to distribute their own songs can upload their tracks to Grooveshark. Collaborative playlists are not supported.
http://listen.grooveshark.com/
- Imeem
Imeem is a social media service that allows you to create free playlists from different sources like music tracks, images or videos. With the remix feature, you can also re-arrange the items of your playlist and add transition effects between tracks and images. You can also upload your own tracks and collaborate with other Imeem users to create playlists. Registration is required to use the service. Once your playlist is ready, you can embed it on any web page or social media site using a widget. The widget is fully customizable to match the look and feel of your site: You can change size and colors and also edit other settings like auto-play and auto-shuffle. Imeem users are free to share, rate and tag all playlists on the site. Due to copyright restrictions, some songs can only be played for 30 seconds. Imeem is also accessible from iPhone, iPod Touch and Android mobile phones.
http://www.imeem.com/
- Finetune
Finetune is a free music playlist creator and a radio streaming service. You can search for songs and playlists and start listening immediately using the Finetune player. When you search for a song, the service automatically creates a playlist with other recommended music tracks you might like. You can then share your playlist using a web widget. The widget displays album covers to browse in an interface similar to CoverFlow by Apple. Items inside playlists are not re-arrangeable and you cannot customize the appearance of the widget. Registration is mandatory to create playlists. Finetune has also a free Adobe Air client for Windows and Mac, an iPhone app, and works on Flash-enabled mobile phones. Uploading your own songs as well as creating collaborative playlists is not permitted.
http://www.finetune.com/
- Datpiff
Datpiff is a music community where you can create mixtapes without spending a dime. Without registering you can search and listen to any song you like, but to create your own mixtape and download tracks you need to create an account. After registering, you can also upload your own tracks to Datpiff. All mixtapes can be embedded on the web and redistributed for free by sharing the playlist URL, or using a widget (which also has a custom version for embed on forums). Widgets are not customizable nor you can rearrange the tracks inside a playlist. Users on Datpiff can rate, favorite and comment other mixtapes. Creating collaborative playlists is not supported.
http://www.datpiff.com/
- Spool.fm
With Spool.fm you can build free music playlists from tracks available on the web. Without registering, you can search and arrange your favorite music tracks into a sequence, but to save your playlist and re-distribute it on the web you need a Spool.fm account. Playlists can be freely shared on Twitter and embedded on your blog or social media using a widget. The widget is not customizable, nor you can upload your own tracks to create a playlist. With an account, you can also check what your friends on Spool.fm are listening in real-time and listen to their music like a live radio station. Collaborative playlists are not available for the time being.
http://spool.fm/
- 8tracks
8tracks allows you to share and discover music by creating online playlists for free. Without an account you can search for songs, listen to mixes on the site and export mixes anywhere on the web using an embeddable player. After the registration process, you can combine tracks to create a playlist, which should be at least 30-minute long (about eight tracks). Be sure to choose your songs in the correct order form the beginning because songs cannot be re-ordered at a later time. To share your tracks you can use an embeddable widget. You can customize the color of the widget, but other options are not available. 8tracks also allows you to upload your own tracks to distribute to other people. No collaborative playlists.
http://8tracks.com/
- MixTape.Me
MixTape.me is a free web service to create mixtapes. You simply search the web for music tracks you like and then add the songs to a new mixtape you are building. You can either use the traditional mixtape builder or the “Quick playlist” option, which allows you to create a sequence of songs using a drag and drop interface. By registering to MixTape.Me you can also share your music using a web widget. Unfortunately, no customization options to style the widget are available nor you can re-arrange the order of your tracks inside a mixtape. The service has a built-in feature that displays contextual info abut the songs you are playing, like: artists bio, lyrics, artworks, and videos. Creating collaborative playlists and uploading your own tracks is not permitted.
http://mixtape.me/
- Playlist.com
Playlist.com lets you arrange music tracks from the web to create a playlist to share on your site. You can either create a playlist on your own or invite other users to add their suggestions. To use Playlist.com, register to the service and then simply search the web for music tracks, order your songs and then use a widget to share your playlist to any web page or social media site. You can customize the color of your widget to match the look and feel of your site. If you prefer, you can also export the songs of a playlist to Windows Media Player, send your tracks via e-mail or share your music on third-party social services using an AddThis button. Uploading your own songs to Playlist.com is currently not supported.
http://www.playlist.com/
- MixPod
MixPod is a free music playlist creator that allows you to combine multiple tracks to embed on your blog site or social media. There is no need to register and you can start right away searching for songs and arranging tracks into a playlist. Do not worry about putting songs in the correct order, because you can freely re-order your tracks at a later time. Once created, you can freely redistribute your playlist using a customizable widget. To personalize your widget, choose among several ready-made skins, pick your preferred colors, and adjust other parameters like auto-play, auto-shuffle and play in loop. You can also set whether your playlist should be public or private. You cannot upload your own tracks nor build a playlist collaboratively with other users.
http://www.mixpod.com/
- 500 Days of Summer Mixtape
For the launch of the movie 500 Days of Summer, Fox has started a web service to create free mixtapes to share on the web. To create a mixtape you need an Imeem account and only 30-second previews of the songs are available. After registering, choose a set of tracks, order them and then customize the look of your playlist, which is displayed as an old-fashioned cassette: Add labels, text, themes and then publish the cassette on your blog site. You can also share your cassette via Twitter, Facebook and other social media. Collaborative playlists are not allowed, nor you can upload your own songs.
http://www.500daysofsummermixtape.co.uk/
Other Music Playlist Creators
- Blip.fm
Blip.fm allows you to create your own web radio station for free. Just register to the site and add some of your favorite artists to discover other users that match your musical tastes. Then start searching for songs you like and share them by adding a personal message. You can also associate your social media accounts with Blip.fm to send updates each time you “blip” a new song. Embedding a playlist of your songs is also allowed by selecting the blips you want to embed and pasting a snippet of HTML code to your site. Unfortunately you cannot control the sequence of your tracks, create collaborative playlists nor upload your own tracks.
http://blip.fm/
- Soundtrack of My Life
Soundtrack of My Life is a free service provided by Billboard.com that creates a playlist with all the songs that remind you a milestone you achieved in your life. Your first kiss, the day you got your license, when you got married… you just input a date for all these moments and the service automatically creates a playlist containing songs that were top of the charts in that period. When your playlist is created you can listen to a small preview of your songs. If you register to Billboard.com, you can also share your tracks on social media or embed a widget with your playlist on your site.
http://www.billboard.com/soyl/wizard#/soyl/wizard
Sample music playlist created by Robin Good on Playlist.com
Originally prepared by Robin Good and Daniele Bazzano for MasterNewMedia, and first published on August 17th, 2009 as “Create Music Playlists, Compilations And Embeddable Music Mixtapes – Guide To Best Online Services“.
Online music collaboration services allow you to play, rehearse and record music with remotely connected like-minded people from around the world. You connect with other musicians, vocalists, songwriters and even to your own music fans to create the music you like either in real-time or asynchronously. You can also exchange ideas, discover new music from other independent artists and experiment freely without the pressure coming from knowing that you are renting an expensive recording studio.

Photo credit: picpics
Unless you have decided to do a real-time jam with your remotely connected musicians, online music collaboration services work all pretty much in the same way: You record a music track with your own instrument connected to a computer and then you upload the track for others to work and build upon.
If you and your music partners already have a speedy broadband Internet connection, you can also use online music collaboration services to play in real-time without worrying about the typical delays that are characteristic of transmitting audio on the Internet. You just plug your instrument to your PC / Mac, find your musical buddies and you are set to play.
Collaborative music projects can be both public or private, depending on your production needs, and some of the music collaboration services I am showcasing here in this guide, also provide a direct marketplace for you to distribute and sell your songs.
Interestingly, DJs and creative people who are not musicians can use some of these music collaboration services to remix and mash-up old and new stuff.
In this MasterNewMedia guide you can find a comprehensive map of the online music collaboration services available out there, including some of their key characteristics and a comparative table that puts them through their paces. When reviewing each one of the services, these were the key items I checked:
- Supported file format: File types accepted to upload your music tracks.
- Public / Private sessions: Free or restricted access for musical projects.
- Distribution / Sales: Music tracks distribution on third-party websites or social networks.
- Rating: Mutual evaluation of musicians.
- Pricing: Basic starting cost and feature.
Here all the details:
Best Tools And Services To Collaborate On Music Projects Comparative Table
Online Music Collaboration: Best Tools And Services To Collaborate On Music Projects
- eJAMMING AUDiiO
With eJamming AUDiiO you can create, perform and record musical tracks online and in real-time. The software (for Win and Mac only) allow you to connect to other musicians both by public or private chat and by creating or joining a session. Inside a session you get in touch with up to three other musicians for real time music collaboration, creation and recording. Or you can also play on your own and record your creation. All you have to do is plug your instrument to your computer and then configure the software with the instructions available on the website. You cannot upload your own tracks for the time being. Each musician has a skill level rated by the eJamming community, so you can decide whom you want to play with. Once you have recorded your tracks you can also send your music to a friend or jam-mate. eJamming AUDiio is priced either $9.95/month or $89.95/year.
http://www.ejamming.com/
- Kompoz
Kompoz is a social workspace for musicians and songwriters. You can record a music track, upload it and then invite others to contribute to your song by adding other instruments or vocals. Public and private projects are available, so you can collaborate with anyone or specifically select the people to work with. Check the ratings of your selected musicians to choose the right co-author for your creation. Then upload a music track (MP3, AIFF, WAV, WMA, OGG), a PDF with tabs or vocal parts and meet your jam-mates to start collaborating together on your own song. To get feedback from the Kompoz community, you can use the forum discussions to share opinions and suggestions with other members. When your project is ready, share it via Twitter, Facebook or your own website by grabbing the embed code. Public projects are free and licensed under a Creative Commons license. Each private project you start costs $8.95 and you can choose either to share your music under a Creative Commons license or traditional copyright.
http://www.kompoz.com
- JamNow
JamNow is a free online collaboration platform that allows you to play, record and collaborate with other musicians. You can host live shows for your fans or just play and record your tracks on your own. To use JamNow you have to download a free software (Win and Mac) on your computer. The software allows you to get in touch with other passionate musicians and supporters via chat or using a microphone. Your music projects can be both kept public or private and all members have a rating score, so it is easy to meet the people you need to perfect your songs. No exposure features to distribute your music on third-party websites. No info either on file formats supported to upload a music track.
http://www.jamnow.com
- MixMatchMusic
MixMatchMusic is a free community where artists and music lovers meet to share their tastes or collaborate on music projects. You can connect with other members to create, complete or remix tracks using MixMatchMusic suite of audio tools. Then upload your own tracks to start or use a “stem”, a music sample you find on the site. To find the right musicians look at their ratings from the community. Once you are satisfied with the results of your project, publish your music on the website. Each song costs $1 and for each track sold $0.85 go to those people who collaborated creating the music. To release your song on third-part locations you need either to have permission from the company or the co-authors of the song. No info on file formats supported to upload a music track.
http://www.mixmatchmusic.com
- Tune Rooms
Tune Rooms is a free online service to create and remix music tracks with the help of other musicians. You can create your own music sessions (or “tune rooms”) by uploading your own tracks in MP3 format or by adding existing tracks already on the website. Then allow others to contribute with their own song sketches to help you complete your songs. Tune rooms allows users to assign a Creative Commons license their works, featuring the license prominently on each composition. No ratings or distribution tools available.
http://www.tunerooms.com
- Oomix
Using Oomix musicians can collaborate online on their songs and even monetize their music without spending a dime. Record and upload a single-instrument MP3 track to Oomix and let others play their own groove and complete your track. Some others may want to remix different tracks and create a unique music piece using the Studio tool (Windows only). Each song perfected and created by a group of musicians is sold for a pre-determined price. Each musician or remixer assigns a percentage to her contribution that identifies the amount of work done (e.g. 30% bass guitar, 30% guitar, 20% drums, 20% remix). The money each contributor gets is calculated according to the percentage of work done and total earning made from the sell. You can rate each musician but not freely distribute the songs you create (only sell is allowed). Private projects are not permitted.
http://oomix.com
- Jamglue
Jamglue is an online community for creating and sharing original music and audio. You can upload your recorded music (MP3, WAV and WMA formats allowed) or voice track, create mixes, and then share your creations on your blog or MySpace profile. You can either upload a track from your hard-disk, a URL, or use JamGlue library to mix different tracks using a Flash-based interface; no software to install on your computer. Once your mix is completed, you can download the song for free. You can also write mini-review or comments to rate your favorite artists. Private projects are not allowed. Free to use.
http://www.jamglue.com
- WeMix
WeMix is a free online service where musicians can collaborate together and produce original songs. Co-founded by the rapper Ludacris, WeMix usage is simple: you sign up, create your page and upload your original songs, beats, vocals, riffs in MP3 format As a member you can collaborate on songs using WeMix Mashpit, offer feedback, rate your favorite artists and share ideas for new music with others. If you want to distribute your music you can grab the embed code of your published songs and paste it onto your social media pages or website. Top performers also get a shot to turn their songs into real records by collaborating with star musicians and the entire WeMix community. Your show might even be broadcast on TV.
http://www.wemix.com
- Indaba Music
The mission of Indaba Music is to foster a community that offers artists to connect and work creatively together on music projects. Create a free blog to share your music (MP3 is the only format accepted for upload) and photos or connect with other musicians to work on a project together using a web-based workspace. Each musician is rated by other members and has a personal profile page to facilitate your choice. If you are not a musician, you can also browse the Indaba Music library of Creative Commons-licensed songs and remix a song, even privately. Basic plan to join Indaba Muisc is free and you have all it needs to create, remix and share your songs. If you need advanced audio tools you can purchase one of the two premium plans starting at $5/month or $50/year.
http://www.indabamusic.com
- MyOnlineBand
MyOnlineBand.com is a network of professional and would-be musicians that want to share their music tastes and play collaboratively on music projects. Once you register to the network you can upload your songs (MP3 or WMA only) to share with others and use a live-chat facility to communicate in real-time with the musicians of your team. You also have a public profile page that works as a resume to help other people evaluate your contribution to their tracks. People can also support you economically through a dedicated link, though this is not compulsory to download a song. In fact, all you need to do is download tracks from the MyOnlineBand library, add your own audio contribution and then re-upload the song to the site. You can also upload document files to provide your jam-mates with chords, lyrics and tabs that will help you improve the songs. Both public and private projects are allowed. MyOnlineBand is free to join. No rating allowed.
http://www.myonlineband.com
- MyBlogBand
MyBlogBand is a virtual jam room where you connect to other musicians, play and publish you recordings for free. You simply post your creation on the forum area of the website and let others add more instruments, give feedback, make suggestions, and collaborate on the song. If you like the additions made, you can then share the revised collaboration. You can also choose to work alone and open a private project or publicly release your creations. Audio tracks must be submitted in MP3 format and you can post lyrics, tabs and any other document that might help co-authors create songs. No rating and no ability to distribute your songs on third-party websites.
http://www.myblogband.com
- Dopetracks
DopeTracks is a free online music collaboration network where you can record your beats and sing together with other vocalists. Just plug your microphone to your computer and use the built-in Flash application to record your vocals. Then upload your track to the service and provide lyrics so that your fans can sing along. Other users can also comment, “dope” (rate) and help you improve your beats participating to your vocal performances. Once you are satisfied with your beats, distribute your performance to Facebook, Twitter, MySpace or Xanga. No info on the file format needed to upload your vocals and no private projects allowed.
http://www.dopetracks.com
- Virtual Recording Studio
Virtual Recording Studio is an online music collaboration venue where musicians meet to work together on new music. All you have to do is upload an original music track in MP3 format and then start a project to let others contribute to your song. Projects can be either public or private. In a private project you selectively control who can hear your music or collaborate on your songs. Ratings and comments are allowed, but you cannot distribute your finished creations on third-party websites. You can also install Virtual Recording Studio on your own web server to create your personal music collaboration community. Free to use.
http://thenetstudio.com/Scripts/VRSLogin.vrs
Originally prepared by Robin Good and Daniele Bazzano for MasterNewMedia, and first published on July 13th, 2009 as “Online Music Collaboration: Best Tools And Services To Collaborate On Music Projects“.
Information overload: are you affected by it? How can you better manage it? Are big companies giving us more and better information? How can you determine which information is worthwhile looking at? How to you decrease the noise created by the huge volume of info coming at you everyday?

Photo credit: Mikkel
Information overload is a two-sided problem:
- The sender does not communicate her message efficiently
- The receiver is unable to filter the information and evaluate which is the one she really needs
In this brilliant paper Mikkel explains very clearly what information overload is and how it is silently affecting our life.
It does not matter where you were born, which type of religion you belong to or the color of your skin. Mikkel suggests that individuals are just information-driven, they don’t belong to any sociological category when dealing with communication. They should be treated and communicated to only by being highly aware of what specific information they are are looking for.
Here all the details:
Information Overload

In our everyday life we are bombarded with information: advertisements in the mail box, fast paced TV, interviews never lasting more than three minutes, signs and symbols everywhere we go, internet pages, chat sessions, offers to buy this or to do that, and lots of other stuff.
We are overloaded with information: the more input, the more we shut off and become cynical. But ad-people, designers and producers respond by feeding us MORE information!
The reason is that we / they rest in a 300 year old mindset, established and maintained by newspapers: that as much information as possible should be conveyed in as little space as possible. The Latin word omnibus means “everything for everybody” and that old newspaper doctrine shows as a desire to impress through a diversity of features mixed in a big bowl of confusion.
The intention is to show the most products and information, so that each one has a ”scatter-gun”-ish opportunity to reach a target audience: ”Look how exciting I am, here you won’t be bored”. The focusing on features results in everything being emphasized – and therefore that nothing really is!
I call it featureism.
- Featureism is a statement of what the transmitter wants to sell. It’s not a guide for the recipient to find what she wants.
- Featureism is not information. It’s desperation.
- Featureism is to go against our nature. It is to go against the way humans naturally interprets our surroundings.
- Featureism is bad communication and the result is information overload.
But there is another way…
Focused Information

All communication is basically about saying the right thing to the right one at the right time in the right way. The easiest thing in this equation is the external part, finding the target audience, while the hard thing is to handle the internal part: the transmitter:
- ”me”
- ”myself”
- ”I”
- ”we”
- ”us”
The hard part is to shut up. The result, however, is transmitter focus, instead of recipient focus, the result is lost attention and lost market shares.
I know how hard it is, as a transmitter, to focus on the recipient and how easy it is to think of oneself. Besides philosophizing on media, communication and technology, I also (once in a while) design websites. I know the feeling of wanting to sell websites but ALSO sell my ideas (you’re reading some of them now) – because I love both so much and would hate to prioritize between them.
My brain knows that it’s best to split the two areas, but my heart would rather not let go – and the result is that I send mixed signals of who I am and what I do. My customers also know how hard it is to limit oneself – when I create their sites, the hard part isn’t to convince them to try a radical design-idea of mine, but rather to convince them to limit themselves in terms of content. They respond in a slightly desperate tone: ”…but Mikkel, I also do this and that – those things must be included!”
But the customer is NOT always right – and the brochures and websites of even big and famous companies cannot be used as an ideal of well designed communication – to the contrary! The bigger the company is, the worse it’s communication usually is – simply because it isn’t capable of administering and conveying all the information.
Information Tunnels

Focused information often use what I call information tunnels. Communication is focused when it’s precisely adjusted to a certain group of recipients. When a transmitter adjusts a certain message to several groups of recipients, and allow the individual recipient to choose which group she belongs to, the transmitter has created an information tunnel.
Using information tunnels effectively, means that one can divide all recipients in groups – but these doesn’t have to be socio- or demographically based. I believe that dividing people by age or income, or voting pattern, is less important. It’s why they interact with you, their intention, that counts!
To illustrate: all recipients of this very article can be divided into three categories:
- Those that has found it by curiosity – they are interested in an easy-understandable and entertaining communication.
- Those that were looking for information on marketing – they want a practical guideline in using the theories.
- And those recipients that are media- and communication theorists – they desire a scientifically valid communication.
In this case, the recipient’s age or daily-life is of no or little importance, only their intention for reading this: whether they are belonging to 1, 2 or 3.
My claim is that whatever we do, we are not sociologically founded, we are intentionally founded. Key to reaching a recipient is not knowing her age, but what she wants to do. As you see, this article is not an example of information tunnels or focused information (rather it is one of featureism) but this article would have been so, if I had made three of them, each catering to the desires of each of the recipient groups.
For instance, take this example of how to effectively create an information tunnel: On the front page of “www.tag-eksperten.dk” there’s a large picture of a craftsman on a roof, and the explicit text:
”we lay new tile roofs for home owners on Sealand) – specific offer, thorough consultation, a new roof in a league of it’s own, delivered in only four weeks”.
In this way the company’s business, mission, geographic reach and terms of trade are all precisely defined in words and pictures.
At the bottom there are three boxes which might seem like features, but in reality are information tunnels:
- ”Choose tiles”
- ”Calculate price of a new roof”
- ”8 tips on roof renovating”
Thus exists an entrance for those most interested in the looks of their new roof, one for those worried about the price, and one for those with a do-it-yourself attitude. On the other hand, it must be said that the language is the same throughout the website, so in this way it doesn’t abide the principle of information tunnels.
An accepted idea in business communication is integrated communication:
- That all parts of a company ”speaks the same language”
- That communication is stream-lined
Besides this principle being de facto impossible – maybe even undesirable – to realize, it doesn’t influence focused information: integrated communication deals with the company’s communication with, and in relation to, it’s surroundings: what’s to be said. Focused information deals with how it’s to be said.
Focused information is therefore not to change the message, but to vary the delivery and expression, depending on whom the recipient is.
The Trend In Society

Another way to view information overload, is as trend in society. The problem today isn’t obtaining information – the problem is to organize it.
- The history of media started with the invention of writing, which made it possible to convey knowledge across time and space.
- The printing press, with its efficiency and cheapness, made the written knowledge accessible to many.
- The telegraph contributed with a previously impossible speed, resulting in an even greater availability of information.
- The original internet was merely a new form, a technological reincarnation, of the principle.
- Today’s internet, by some called Web 2.0, gives an even greater amount of information, through easy tools for creating, publishing and sharing – this article is an example.
The history of media is thus a single continuous expansion of access to information, now available in enormous quantities – the key word here is quantity. The new is the opposing movement that is awakening: de-selecting quantity and passive reception, to the advantage of quality and active selection. We see it in avoidance of advertisements, traditional media loses readers/viewers, growing numbers even stop watching TV, internet technologies allows customized information channels, etc.
The key word here is quality. For on the one hand, technology increased the availability, but at the same time it has lowered the ”cost of access / entry” and increased individuality. ”Ordinary people” have regained control, in a form of technological democratization. The individual can avoid information overload and increase the amount of relevance in her life.
The New Way Of Living

In everyday life, this reaction to information overload, is seen in a general return to origins, to a lower pace. It shows in an mild increasing interest in spartan ways of living, nudism, and a general “turning inwards”, among other things towards philosophy, religion and emotional health.
The opposite of information overload – silence, emptiness and thoughtfulness – is trendy already: monasteries experience great interest, pilgrimages have returned. The most successful publications are niche-oriented and deals with a narrow subject, or they are dealing with any kind of emotional issue. A symbol of this movement could be Eckhart Tolle: a secretive author that sells millions of books about spirituality.
In the last 20 years, the most talked about, has been that which didn’t strive for being talked about:
- The café that is only discovered though word of mouth
- A membership only obtained through fulfilling secret criteria
- a musician that appears incognito
- A product in limited editions, etc.
All this is a a different kind of quality.
Another result of information overload, is the way we relate to each other. Because a greater part of our time is used on a computer, and as being single, an increasingly greater part of our role models and friendships are found in, and through, the new media. The common theme of almost all currently successful companies and technologies, is the fact that they connect people:
The success of a product or service depends on how many connections it opens. The two major themes that has to be considered in any project, is thus that which is immaterial, and that which connects. The third major theme which I’ll write about in another IDmag, is that which I call The CoCreating Consumer.
You’ve now reached the end of my introduction to information overload, and a couple of my tools and advice on how to avoid it. The rest merely requires you to use your critical sense, a little imagination and some courage.
Good luck!
Mikkel
Photo credits:
All images by Mikkel
Originally written by Mikkel for Design Af Mikkel and first published as “Information Overload: What It Is And You Can Avoid It” on September 18th 2008
About the author

Mikkel is a market expert and web-designer. He focuses his attention on communication techniques and how information should be provided to be as efficient as possible. On his own site Design Af Mikkel he writes: “My philosophy is about balance, about holism. About reaching each other in the best way, about doing it honestly and about having fun along the way.” Mikkel has written some valuable papers about information design and “Information Overload” is one of them.
I have had the honor of recently having as a house guest Michel Bauwens, the P2P philosophy evangelist, who, while based in remote Thailand, travels around the world to explain and divulge what peer to peer is really all about.

Photo credit: Robin Good
Peer to peer is not just illegal file-sharing of music files. Peer topeer is a whole philosophy, and if you have enough curiosity to listen, a full approach to social living in a cooperative and mutually beneficial fashion.
In this video interview, I have asked Michel Bauwens about his personal use and experience with peer to peer technologies and his advice about adopting such tools and bringing them into your everyday workflow.
At last, I also challenge Michel on the front where P2P has been receiving the harshest criticism: music sharing. What is the future of music and what role will P2P play into it?
Here his video answers along a full text transcription of each one.
Peer To Peer: How P2P Influences the Physical World
There can be different scales:
- Local
- Regional
- And global
Personally I think that the innovation part – the immaterial cooperation part – can work very well on a global scale, but with the realization part (when you move to the physical/material field), the face-to-face relationships are very important.
I think you can combine local production with global cooperation on the material field so everyone works together on making the best solar roof possible, but different teams make it in different places in the world.
Peer To Peer: The P2P Tools That Michel Bauwens Uses
Ok, well we use a combination of a wiki, a blog, and social bookmarking. And actually, if I should say, in addition we use a community platform which is called Ning and we use a few mailing lists still as well. So it is the combination of those five things that for us make our community work.
- The wiki is for reference. You put in in the wikis encyclopedia, articles, things that can have a long shelf life that nobody gets really excited about at the moment when you publish it. But, when you want it, when you want to use it, it’s there.
- The blog is to share opinions and news.
- And the social bookmarking is to share learning.
So what we have is a network of very bright people all interested in peer-to-peer and we have all those like Clay Shirky, Winegold, McKinsey. And other people in that field who know it very well. And we share bookmarks. So I can see what they discover, they can see what I discover. That’s a tremendous source of value and innovation when you can see what those bright people discover.
Ning is a community form, so how can you make the community visible, how can you know who’s Michel Bauwens, who’s Robin Good. All these names that people see. In the community you have your profile, you have your biography, you have your website. And you can launch discussions. So, that’s public discussion where everybody can contribute.
So, I think it’s an ecology. Every tool points to the other tool, re-enforces the other tool. And all of that is also embedded in face-to-face. I mean, I travel I meet people. Once I’ve met them I can ask more things. And some people I meet first face-to-face and then will come online after. Some people are online first and then they become offline friends or associate.
Peer To Peer: What Makes A Tool P2P?
I have a vision of peer-to-peer as a human relationship and not a technological relationship.
So as long as you can have what I call permission-less actions and engagement, then it doesn’t matter whether the tool is purely peer-to-peer or not. Because the internet allows people to publish, distribute and consume on an individual basis and voluntarily aggregate with others.
The tool does not have to be purely peer-to-peer to be effective for human peer-to-peer production and relationships.
Peer To Peer: How Michel Bauwens Got Started With P2P
I guess for me it was very organic. I started with the wiki, and the wiki didn’t give to me a lot of responses. People used it, but they didn’t write to me.
Then when I started the blog, my number of e-mails went up from five a week to twenty-five a day. And I think the reason is the blog is kind of an ecology. Every blog can talk about another blog and people can comment and link to blog items. So certainly you’re part of not something that stands alone, but has its own visitors, but actually it’s part of a continuum.
Then the next step was the social bookmarking. I would say that accelerated learning. You bring the best mice together they learned from each other and you see what they see. Maybe it’s only fifteen per cent of each other that’s interested in but you will get to see that fifteen per cent. And you learn much faster than if you didn’t have access to it.
And then the next step for me was the Ning community. Ning is like Facebook, but it doesn’t have all the distractions that Facebook has. You don’t have the hugging-and-poking, the cities I love, the books I’ve read, and etc.
So Ning is a more pure working environment. And what that did is that certainly people could see each other. So all the people were passing through me asking: “Michel do you know if…” Now, so we can see each others’ profiles and can start asking each other. So, I’m out of the way. I’m no longer bottle-neck of the community. Now I can go on a trip. I was nearly three months on the road actually now and the community just continues to produce knowledge and exchange as if I were there. And that’s great, because that’s the effect you want to have.
Finally, this very low-tech that we launched a peer-to-peer research mailing lists. And we have had two meetings. We had a meeting in Irving and we have a meeting in Nottingham Trent. So what we do now is getting academics together and researchers to really focus on that more very foible objective knowledge that can be acceptable to universities and institutions. And one of our members or sympathizers is in a process of creating association of peer-to-peer researchers.
And there wasn’t anything planned of all those things, just step by step you feel kind of certainly you have a surplus of energy You have… the blog is working, ok what next. And then you start the community and then you feel, ok the community is running. What next. And so I’m kind of a person. My role in the community is to nurture the community.
When the community goes down, if there’s nobody there to give it water it might stay down. But if there’s soul behind it, a moderator, someone who cares then just that little water you give it and up. The mailing list starts again.
So that’s my role. Whenever I feel something is stabilized, I try to see what’s the next step. What I need to do, what we can reinforce, and the strength of the ideas of peer-to-peer at this stage of our growth.
Peer To Peer: File Sharing And The Future of Music (Part 1)
Your question about file-sharing, what I think about it, and the future of music.
I think with music the issue is very typical, we have something that costs money to make, but once it’s made you can share it at no cost. So its pretty logical to think that people will say let’s share it.
So I think file-sharing is inevitable.
However, maybe you will find it contradictory, but I will not do that (i.e. share music). It’s the same thing as people who jump the line in a Metro and don’t pay for the metro ticket. I understand that young people do it. But it’s just not something that I want to do myself.
I think that when a system no longer works, people first of all show transgressive behavior. They are just going to do what the most logical thing is to do. And the effect it has is to destroy the legitimacy of the old regime. When ninety percent of the people are doing file-sharing (I’m not sure of the actual figure, but I know that in Sweden even the grannies do it. And you aren’t going to throw grannies in jail), it shows that the law is no longer appropriate.
But is it something healthy to live in a society where people have to transgress the law? No.
So I think that the next step is constructive. You actually construct alternatives that are within the law. And I think that Creative Commons is an example of that. So people are going from doing whatever they want, whether its legal or not, to creating a new legal system which allows them to do what they want to do. And then you give people the choice. You can still pay but its an option… a choice. And you can also share your musics.
And the third step, which is the most important actually, is when you start engaging with the existing society. In other words when you become conscious of your choices… when you become conscious of what the old world does not want you or allow you to do (i.e. these new life practices), and then you have to start building a political-social movement to defend your life choices.
I don’t think we are there yet, but we are certainly already in the second phase where people are constructing positive legal alternatives that allow people to be free in their choices.
Peer To Peer: File Sharing And The Future of Music (Part 2)
Well I think the future of music is a little bit like the future of all the cultural industries that work through the internet. Instead of having gatekeepers that you have get permission from order to produce music and reach your audience, what you will have is a bottom-up music scene where people will make music in all kinds of ways. And at all kinds of levels, both professional and not professional.
But once you break through to a certain level of interest and popularity, you will still need help. You will need people to help you. People to help you with marketing, with production, with distribution, and help you manage your business. The change is that these people become facilitators, not feudal lords that you have to sign your soul away to in order to make it.
Also I think that we will have much more choice in music, what is called the long tail. But a lot of people like today won’t be able to make a living through music, but they will still have an audience. There will be more amateur kinds of music. People doing music on the sides. So I think that broader participation brings more choice and overall that is a good thing.
Originally shot and recorded by Robin Good for MasterNewMedia and first published on September 17th 2008 as “Peer To Peer: Using P2P Technologies For Collaborative Work – A Video Interview Michel Bauwens“.
About Michel Bauwens

Michel Bauwens (1958) is a Belgian integral philosopher and Peer-to-Peer theorist. He has worked as an internet consultant, information analyst for the United States Information Agency, information manager for British Petroleum (where he created one of the first virtual information centers), and is former editor-in-chief of the first European digital convergence magazine, the Dutch language Wave. With Frank Theys, he is the co-creator of a 3 hour documentary TechnoCalyps, an examination of the ‘metaphysics of technology’. He taught and edited two French language anthologies on the Anthropology of Digital Society.
Although a student of Ken Wilber’s integral theory for many years, he has recently become critical of aspects of the Wilber-Beck movement, and is a powerful voice for a non-authoritarian peer-to-peer based integral society.
Michel is the author of a number of on-line essays, including a seminal thesis Peer to Peer and Human Evolution, and is editor of P2P News
He now lives in Chiang Mai, Thailand, where he created the Foundation for P2P Alternatives and maintains a blog.
He has taught courses on the anthropology of digital society to postgraduate students at ICHEC/St. Louis in Brussels, Belgium and related courses at Payap University and Chiang Mai University in Thailand.
A new class of powerful, inclusive, popular and engaging events liberated from the straitjacket of space-time by the convergence of usable new media technologies is ushering at your door: X-events are next.

Photo credit: XLucas
But let me explain myself better: Online (and offline) events should not be confined anymore by physical the space-time boundaries of when and where the event actually occurs.
The convergence of new media communication and collaboration technologies like RSS, wikis, blogs, podcasts, discussion forums, as well as social media outlets with more traditional information delivery channels like newsletters or mailing lists offers an opportunity for extremely rich, engaged and dynamic communities to be built around the core track topics and themes of any conference or event.
The best way to explain X-events is to start simple.
Consider for example a physical conference for which a community site is built beforehand and in which participants, lecturers and sponsors start interacting and actively engaging with each other way before the physical event starts.
Think also of an event that while takes place in physical space it is also re-broadcast and made accessible in multiple ways, providing access and different levels of interaction to those attending live as well as to those at a distance.
Imagine the breadth and richness of content options that can be skillfully created out of the many interactions the virtual event communities have been able to generate.
Or the many possible compilations, playlists, and collections of user filtered and edited multimedia content that could be created after the event was over.
It is in the ability to merge and synergize the tremendous potential of new media communication, collaboration and community creation technologies with the attraction and interest generated by a live event guests and key issues that revolutionary communication and marketing potential of X-events really lies.
Here more details:
X-Events Overview

Live events are a great opportunity to market, showcase, demo, present and introduce new ideas, as well as products. But, if you have ever been behind one, you will have realized how complex is the organization of the logistics, and how swift, skilled and prompt the team running the show must be.
Given all this investment in organization, and stuff, how significant would be the additional cost of extending the event fully into virtual space by leveraging, in a synergistic, organic and well planned out fashion all of the most relevant new media technologies to enable a community and an extended conversation to form online around the event.
Consider the infinite number of revenue options that can be born out of commoditizing the conference and creating a hot passionate and lively community that generates all kinds of relevant content around any given theme.
Imagine how fantastic it would be if you could engage your favorite speakers before the actual conference and with your questions and contributions shape the topic and discussions for the live event.
I have played with this idea for the first time back in January 2005, when I wrote this article, “Events Break Out Of The Physical Space-Time Prison. Time-Extended Conversations Are Coming: X-Events“.
Some years have passed but my feelings have not changed.
Actually, I am much more convinced now than I was then of the tremendous benefits and advantages that extended-events could bring to all parties involved.
What are X-Events?
X-events or “extended events” are a yet-to-be-realized form of conference that extends well beyond the physical event boundaries, into time (before, during and after th event) and through multiple media formats.
X-Events are events which are planned and carried out in a continuous experience that merges offline physical events and online conversations.
In other words: x-events are typical conferences, social events or physical gatherings of some kind that extend their lifetime, reach and value by extending their active engagement potential with their participants by intelligently integrating community tools, content delivery and distribution channels, social media marketing, live and asynchronous collaboration tools much before, during and long after the actual event has taken place.
Say you have an international event focusing on “web publishing” taking place a few months from now. Say you have a large international audience of interested participants that will come to the event and a good selected group of speakers who will showcase their know-how at the event.
How could you transform your traditional 2-day conference in an “extended-event” that provides greater engagement and value to participants and presenters as well as providing you with broader and longer visibility, extra opportunities for sponsorship and sales as well as greater opportunities for quality business networking among all stakeholders?
How can a physical conference take best advantage of all the new media communication, collaboration and social media tools to extend its lifespan and engagement reach well beyond the physical event itself while generating an engaged and passionate community around itself?
Here some starting ideas to consider :
1) Before the Event
- Open a blog and a RSS feed for the event and start providing, value-rich information about the event in a periodic, consistent and systematic way.
- Create a story around the preparation for the event and around the people involved in this. Find a key character to narrate the story and keep audience on top the latest happenings.
- Open a forum or a Ning-style interactive community where discussion and relevant issues for the event can take off right now.
- Complement forum topics with a distribute video commenting platform like Seesmic which can allow a forum like experience which is not text-based but video based. Video commenting can be very good for engaging in lively, passionate discussions as well as in brainstorming sessions or analysis/focus groups.
- Inject some social media components allowing the community to contaminate and cross-fertilize itself. Let people discover each other profiles and interests, provide feedback on the most followed discussion items and provide ways for users to contribute relevant pointers and links.
- Integrate a presentation publishing platform like Slideshare for all participants to use, and promote relevant and related presentations to the topics of the event.
- Create a set of manually edited newsradars (topic specific hand-edited news channels gathering best news and stories from all sources out there), generated by moderators or community members and focusing on the very specific themes of the conference itself.
- Market the event by using a mailing list and by developing a meaningful story that builds up momentum up to the X-event launch.
2) During the Event
- Enable a live reporting platform for any qualified participant or media representative who wants to use to report about specific sessions. Tools like CoverItLive provide all of the features an in-session reporter may ever need. Consider opening up a limited number of seats for voluntary official reporters for each session and monetize the sponsorship opportunity they create.
- Support and make it easy for all participants to access live audio and video streaming tools to enable as wide and comprehensive real-time capture of all of the event happenings from as many different viewpoints as possible. From the live sessions to the informal networking in the allies.
- Let participants engage among themselves and with presenters and among themselves during live sessions by creating dedicated Twitter channels and groups for real-time discussion and feedback.
- Utilize also more traditional and well established real-time communication tools like like text chat and IRC channels. These technologies can still go a long way in providing effective real-time conversation back channels for each live presentation in the event.
- Offer the opportunity to premium (paying) participants and/or to the press to sit down and video interview, alongside other prominent news reporters and bloggers the key personalities presenting at the conference.
- Leverage Friendfeed social aggregation capabilities to provide a parallel information distribution channel for key event related personalities and events.
- Create thematic newsradars (topic specific news channels) on the specific topics the conference covers. Newsradars can provide immediate value to an extended event by providing a comprehensive digest of the most relevant news and issues on any topic.
- Provide conferencing spaces for live events to have a parallel venues available to presenters and participants before and after the live session. Also consider modelling live event sessions around the opportunity to be both live and at a distance by engaging and responding appropriately to both audiences. Allow participants to promote and deliver complementary keynotes, panels and sessions in a barcamp-like spirit on a set of virtual stages dedicated to them.
- Hire editors and moderators to create and maintain key wiki guides on every key session / track taking place at the event. Parallel events, other contributions and related sessions, live discussions, related resources and user contributed materials should all be easily reached by maintaining a well organized and always up-to-date set of wiki pages.
3) After the Event
- Keep the conversation going. Maintain open the key most active forums, discussion and conversational areas and aggregate all of the related content into highly focused content channels. Look at it this way: any event, when transformed to an X-event is an opportunity to put in movement a series of mechanisms that can create / generate a number of highly valuable content channels. These shouldn’t be seen as useless and expensive-to-maintain content marketing channels but as ultimate revenue-generating community-driven dynamic communities bonded together by one of the themes / personalities / issues the event has brought forward.
- Develop and design with your most loyal community participants your next year event, starting from the very discussions you have kept open. Let your newly developed communities design your next conference by participating in identifying topics, speakers, events and formats improvements that they want to see happen. What a great way to bond more with an event audience and to crowdsource its insight and desires to improve your offering.
- Showcase all of the event videos and key presentations. Make it easy and simple to access all of this content in a variety of formats: Streaming video, downloadable clip, MP3 audio, text transcription, premium option on DVD with special selected content. Consider utilizing more advanced presentation delivery tools like Instant Vcasmo to allow participants to create synched mashups of live video recordings with the actual slideshow presentations delivered.
- Integrate social conversational components to each content item. Make it easy for people to add comments, tags and to start new discussion threads under each show / presentation. Allow each one performance to become a smaller pivot point for social aggregation, communication and networking.
- Create visual navigable spaces by using tools like Google Maps or Microsoft Photosynth allowing the participants to enhance the discovery of the physical event physical surroundings, hotels, bar, cafes, nearby social venues.
- Facilitate the user-generated creation of image photo-albums about the event. Beyond the typical tag reference, used in these situations, allowing everyone uploading to public image sharing sites to make his pics associated with the event, reward individual participants to create multimedia photo-albums on specific themes and topics by using some of the many great visual story-telling tools like Scrapblog, Smilebox, VMix, OneTrueMedia, Mixercast, Vuvox, Flektor.
- Create user-generated video compilations of the most interesting sessions and topics by making it easy for participants to edit playlists of their video clips. From YouTube playlists to Magnify or Splashcast powerful features, there are a growing number of tools that do just this.
X-Events Key Benefits

If my vision for X-events is correct, these are going to be outstandingly capable marketing, branding and advertising channels, giving extended life to any physical event while hugely increasing its potential audience interaction and profit potential.
Here are some of the immediately apparent benefits that X-events can bring to any company managing, organizing or designing the delivery of live events like typical conferences and seminars:
a) Larger audiences: As participants don’t need to attend on a specific date/time, potential for participation is tremendously increased. Interested parties can access event recordings after the event at their leisure. For physical events this provides a significant extension of the reach and the possibility of scaling the number of participants to at least an order of magnitude.
b) Extension of communication and marketing reach. As a very significantly larger number people can attend, participate, subscribe, listen and attend asynchronously to extended events so does the reach for your message, brand, sponsorship, or product(s). All of the extended channels offer huge opportunities for highly targeted, contextual, non-intrusive marketing opportunities.
c) Greater opportunity for engagement and individual interaction: Participants both in the live event as well as in the extended post-event conversations have more opportunities to engage panelists, experts, speakers and companies/products being mentioned or showcased. Through the use of RSS newsfeeds, wikis, blogs and discussion forums, event tracks can be kept alive for an indefinite time before the event starts and long after the actual event is over. Multiple “vertical-communities” are created offering valuable high profile demographic with specific interests and characteristics.
d) Participatory design and delivery. Yes, grassroots X-event design is here. Who’s going to grab it first? Participants can now become co-creators, contributors, editors, individual re-sellers and publishing houses for any event. If only we allowed them to! Who is to say that events need to designed by a non-transparently elected group of vested-interests representatives? Couldn’t emancipated participants do a better job of it? Sure they could. Who better then them knows what they will want to buy, listen and attend to? Why take the risk of discovering all this at event time?
e) Great ROI, expanded profit, extended sales marketplace. X-events offer great opportunities to hugely increase event profit-margins by extending marketing and sales opportunities, without a need for expensive physical space and hugely expensive event-related logistical costs. The new X-event is grounded on an extended communication framework not on additional costs for physical infrastructures. The X-event enables major cost-savings matched by the potential for much higher quality output when the organizing team is able to fully realize the direct involvement of participants in the design and delivery of the X-event.
f) Greater opportunities for monetization: X-events generate lots of valuable participants attention on specific topics and issues. X-events can also generate huge quantities of valuable content which can be edited, compiled, annotated and packaged for digital delivery in an infinite number of formats. Such content can be monetized in multiple and overlapping ways by, for example:
- Selling web-based conferencing and presentation space to small companies and individuals who want to run parallel extended sessions within the conference framework and official activities
- Providing paid access to private video conferencing rooms a-la OoVoo for media and premium customers wanting to video interview your event key guests
- Providing paid access to high quality (HD) recorded / downloadable sections.
- Selling sponsorship space on all distributed content formats (RSS, wiki, social community, etc.) . This per se encompasses a wide variety of options (see list of channels available to go x after an event, here below).
- Offering paid subscription access to very-narrow content channels including user created topic-specific RSS feeds tapping on all content generated by X-event.
- Creating premium content offerings including case studies, analysis and report data by selecting, aggregating and editing most valuable content extracted from live event.
- Paid access to higher quality, full screen video of live events as well as to individual downloads and video compilations created according to key themes and topics.
Resources Required
X-events are as great an opportunity for engagement, interaction, social and business networking, user-generated content and more as they are challenging and very complex to plan, organize and maintain.
The key issue with X-events is that traditional event organizer are not too familiar with the new conversational marketing philosophy and do not have at their disposal the human resources and skills required to manage such an event.
X-events require many talented individuals with real experience in managing user-generated content, in moderating forums and in motivating communities of interest to engage with the selected issues, and in particular:
1. Having a talented X-event communication strategist. Someone who can aptly envision, plan and coordinate the unfolding of the X-event as an integrated whole.
2. Employing a skilled and experienced editorial team. Creating ongoing discussion topics, news radars, webcasts, interviews and podcasts, blogs, wikis and live chats requires skilled individuals who live and breathe the online world.
3. Selecting tools and technologies that are accessible to everyone. Having communication, presentation and collaboration tools that are both easy-to-use and accessible by all types of Internet users is a critical, essential requirement.
Yes, you read it right. A typical X-event setup is likely going to require a fully dedicated newsroom working to support this many, diverse tasks.
Also for X-events, planning from the very beginning where to go as well as defining well ahead of time they key objectives is, as in most other fields, a safe recipe for probable success.
Editor’s Comments – Conclusion
Traditional events are going to transform themselves into ongoing conversations streams, as popular and successful as the topics and people participating and moderating them, and as credible and authoritative as the depth and value of the conversations they are able to generate.
X-events are a natural, spontaneous evolution of traditional physical events and they are characterized by the effective integration of communication and collaboration media with social community technologies to create an extended and ongoing multiplicity of news as well as lively conversation channels, which can start long before the actual physical event takes place and which can go on indefinitely after it.
X-events offer great benefits in terms of community creation, content generation, engagement and interaction, social and business networking, online visibility, marketing and monetization opportunities, by extending the topics and focus of the physical event into virtual space-time with the use of social, conversational and information-distribution technologies (RSS).
X-events represent the new “engagement marketing” frontier and those who will first master how to design, manage and deliver such rich multimedia experiences will likely be the remembered as the pioneers of a whole new of creating and delivering live events.
Even though most of the tools that would be needed to set-up an effective X-event have been out there for a while now, the true challenge is not only in integrating these into a coherent whole but having individuals who can see this vision and bring it to a plan that is certainly more challenging and complex than bringing together the typical tech conference. But so would be the success and rewards, I believe.
What it takes to make x-events happen, is greater appreciation of such an approach by those who organize and finance events. X-events require organizers to first understand what it takes to start and maintain multiple conversation channels open and alive. They must appreciate the value of creating topic-focused communities that are highly engaged. These are not easy tasks but this is what I set out here for myself to do.
Whether X-events will become more of a reality in 2009 it is hard to say, but given the visibility, engagement and opportunities for monetization that this new extended conferences can bring, it should not be long before we start seeing one we are interested in.
In my next article about X-Events I will look at all of the technologies needed to enable an effective extended event.
Photo credit: Originally re-written, edited, updated and mashed up from previous writings by Robin Good for Master New Media and first published on September 16th 2008 as “Live Events Strategy: Mashing Up Physical Conferences With Online Extended Events – Live Events Become X-Events”