Host Unlimited Domains on 1 Account

Archive for the 'indie' Category

There is now a movie download service devoted to showcasing the very best in independent world cinema, allowing you to rent, purchase and discuss cinema from around the globe with your online contacts. Using the latest peer-to-peer technologies to effortlessly distribute fantastic looking, high-definition video across the web Jaman offers a significant increase in video quality, and choice of content, over anything I have seen to date. As Hollywood persists in rolling out ever more generic, uninspired movies there is a growing audience for independent films that have something to say. The problem is that in our multiplex cinema culture there are very limited avenues for distribution and exhibition when it comes to films that veer from the special effects …

Mass media have long had a choke-hold on the construction of everyday reality, but independent film making is striking back, using the same tools as the propaganda machine to challenge the status quo.

When the news is piped into our living rooms, we are served up a deftly edited, carefully filtered stream of images masquerading as the objective truth. Over time we have come to accept the idea that shaky, hand-held camera footage, video taken from surveillance cameras, and grainy, poor quality video are analogous with reality, actuality, and immediacy. They are somehow more real, and we have been taught to trust them.

doap_header.jpg

But there is nothing more objective or real about them. Just as the adult entertainment industry pipes out artificially created ‘amateur’ video, so documentary film-makers and newscasters use a grab-bag of tried and tested visual cues to convince us that their work is authentic and trustworthy.

As we enter a new phase of online video and citizen journalism, we should be wary of any claims these new media forms may make to greater truth or verity.

The mockumentary film challenges our belief in the truth of these claims to truth by providing us with utterly convincing cinematic lies. The word is a fusion of ‘mock’ and ‘documentary’, and by mimicking the techniques and style of the documentary film to tell entirely fictional tales, this revolutionary approach to film-making serves as a wake up call to us all.

Cheap, high quality cameras, affordable editing and effects solutions and Internet distribution channels have made it so that almost anyone can produce independent films that look and feel real, all the more so if they are poorly shot and badly edited. The tools of the propaganda machine are now firmly within the grasp of everyday people. Reality is up for grabs, and there is no highest bidder anymore.

In this overview of this emerging cinematographic format, complete with video examples, I take a look at one recent mockumentary, Death of a President, and discuss the role it plays in this increasingly unique movie-making genre.

Here’s why I think it is so important :

Fictitious times call for fictitious measures

We live in fictitious times. We live in a time where we have fictitious election results that elect a fictitious President. We live in a time where we have a man sending us to war for fictitious reasons… Shame on you, Mr Bush, shame on you.

Michael
Moore, Independent Film-maker

Documentary concerns itself with representing the observable world, and to this end works with what [John] Grierson called the raw material of reality. The documentary draws on past and present actuality — the world of social and historical experience — to construct an account of lives and events.

Embedded within the account of physical reality is a claim or assertion at the centre of all non-fictional representation, namely, that a documentary depiction of the socio-historical world is factual and truthful.

Keith Beattie, via Reality Film

Death of a President is an award-winning documentary that details the events surrounding the 2008 assassination of George W Bush. In other words it is a work of fiction. But to look at it, it is very hard to tell where the truth ends and the fiction begins.

The film-makers behind this mockumentary feature have used some amazing feats of technology and editing to seamlessly fuse archive footage or real events, and real people, including the current president, with well orchestrated, fictional film content.

In doing so, they not only present the viewer with an utterly compelling ‘thriller’, built as it is on a single powerful premise, but also challenge the very tools used by the mainstream media to convince us of their objectivity and the truth of what they show us. After seeing the film you are left with a sense that if a work of fiction such as this could be so convincing, how much easier must it be for newscasters and documentary film-makers to convince us that their carefully thought through productions are accurate reflections of reality?

In this first video clip from the film we see a raft of familiar techniques used to create a palpable sense of reality. Shaky, hand-held footage from numerous video sources, with lapses in focus, and sudden ‘whip’ pans to the center of the action. The cross cutting of street level action with talking-head eye witnesses, the careful use of ominous, incidental music and loaded voice over narration that adds a specific context and tone to the images. All of these familiar visual signals place us in the realms of the apparently real - the realms of the documentary, with its claims to veracity.

Knowing that the film is fake, however, we suddenly have a critical eye, and find ourselves looking out for exactly which points have been faked, and how the techniques used are attempting to manipulate us. This is seldom something that we think about as we sit down to the news.

Propaganda and the creation of the Other

This next clip is a masterclass in the techniques used by news media to create an Other - a shadow, enemy or scapegoat . Note how the scene begins with images of a Mosque set in stark opposition to the surrounding sky scrapers. Already we are being given a message of two cultures at odds with one another. Then, in the soundtrack we segue seamlessly from a Muslim prayer to a voice over narration connecting Muslim people to terrorism.

As innocuous video footage of Muslim youths walking down the street plays out, this voice over continues, and the subject matter is terrorism in the Palestinian community. The two, in our minds, are now connected despite the fact that the one may have nothing to do with the other. In this way, the mass media often creates associations - we are not told explicitly, but rather a constant drip feed of associations adds to the propaganda machine’s goals.

Then we see the use of still images, which are even easier to contextualize in any way you see fit using narration and soundtrack. Here we hear flimsy evidence somehow supported by the use of the photographic image, that ultimate pretender to the truth.

This is all too familiar - it is part of the visual language we are familiar with from hours of watching news and documentary footage over the span of our lives. As is the use of a witness seated in a strangely darkened room, as if it were an everyday occurrence to speak to a film crew in a blacked out office. We are being manipulated, and the mockumentary form wants us to know that this is the case. The same cannot be said form mainstream mass media news.

Blurring the boundaries

In this final clip we see how a talented film-making team can seamlessly interweave stock footage taken from actual events with choreographed, faked footage. The results in the following sequence are utterly convincing, and all the more so for the paparazzi positioning of the camera, the fast, dramatic cuts, the use of surveillance camera footage, and the breaking up of the action with interviews.

This truly amazing use of a combination of raw film-making talent and the latest digital technologies makes for compelling, and incredibly convincing viewing. It also stands as a fitting testament to the idea that with enough resources, any reality can be constructed by film-makers and news media.

The boundary between real and fake is no longer tenable, and as such it seems wise also to keep a critical point of view towards the mass media and the reportage that they deliver to our TV screens.

Mockumentary 2.0: online video and LonelyGirl15

Death of a President uses some state of the art technologies to pull off its mockumentary feat, and like any small to medium sized feature, had a sizable crew of film-making professionals on board to make it as convincing as it is. But the approach used needn’t require either expensive technology or a vast crew of professional technicians.

The new visual language that we associate with truth and verity is based firmly in the use of consumer-grade video, amateur editing and shaky, hand-held camera work. If this is taken to the ultimate extreme, the result looks a lot like your average badly made YouTube video.

Take, as an example, the case of LonelyGirl15, a YouTube video blogger who rose to notoriety and extreme popularity in the YouTube community before being ‘outed’ as an actress working for a small independent film-making team.

In the following example we see a new form of mockumentary emerging that dispenses entirely with the effort to mimic TV broadcasting and documentary, as Death of a President does so well. Instead we have long takes, an actress looking incredibly natural, as if she were sitting around her house, poor sound quality, amateurish lighting and frankly dull, personal subject matter. If I tell you that this video - not the most popular of the many that were made - has already been viewed 168,623 times, you get an idea as to the potential the mock-online-video form has to reach huge audiences.

Reality is being redefined, and the choice is now there to play a part in carving out your own critical, personal or artful creations that play with the fine line between reality and the depiction of reality we have come to accept as a substitute.

Additional resources

If you would like to learn more about Death of a President and the mockumentary genre, you may want to take a look at the following links:

  • Another extensive list of mock-documentaries from UC Berkeley
  • Wikipedia’s extensive entry on the mockumentary genre
  • Wikpedia on the Death of a President movie
  • The film’s official website
  • Iraq War: Bloggers And Independent Journalists Bring Back The News The Western Media Can’t Touch - Iraq: The Hidden Story - Video Highlights

    in_the_field.jpg
    Independent journalist Diyaa Al-Nasiri taking cover from gunfire

    Native Iraqi independent journalists and political bloggers engaged with real people on the ground level are bringing back the news that the Western media - barricaded in their safety zone - can’t get near.

    In the groundbreaking Channel 4 documentary Iraq - The Hidden Story startling images of the Iraq we never see come to light, along with the truth about how they are gathered out on the dangerous streets of a country in turmoil.

    The chaotic bloodbath that has consumed Iraq often comes to our TV screens sanitized and carefully edited, to make it a little easier to stomach as we drink our morning coffee, or relax after a day at the office.

    But there is a different story being captured by independent journalists and bloggers bringing back news from the front line.

    In the following selection of highlights from this eye-opening documentary film, viewable in full (at least until it gets pulled) at Google Video, it becomes clear how the Western media reporting on Iraq are doing so from a walled enclave, or armoured vehicles, relying on Iraqi independent journalists to bring back material from the danger zone. Material which is then subject to censorship, editing and a process of extreme sanitization before being piped into the living rooms of the Western world.

    I have personally selected moments from the film, which detail how:

    • The Western media and officials have barricaded themselves into a walled enclosure which is rarely ventured out of, and even then with military supervision

  • The news brought back by intrepid Iraqi political bloggers and independent journalists is then carefully filtered, censored and put through the spin machine before it reaches the homes of the Western world
  • American war atrocities against the Iraqi people are glossed over or sanitized to lessen their political or ethical impact upon viewers in the Western world
  • American troops pose one of the biggest dangers to journalists out there trying to gather information from the dangerous “red zone”
  • Iraqi reporters take huge risks to capture footage for Western media as independent journalists, or publish their findings directly to the internet as political bloggers
  • Political bloggers attempt to document the news we are rarely given access to, including what would be considered - under any other regime - war crimes on the part of the American occupying forces
  • So what are these images we are protected from seeing, and who are the people risking their lives to bring them to us? Read on to find out.

    Red Zone / Green Zone

    As this powerful sequence from the documentary makes apparent there are two very different Baghdads.

    The one we see on the TV news, albeit carefully filtered for our consumption, is that of the ‘red zone’, the vast majority of this city on fire with civil unrest, American occupying forces run rampant and everyday acts of terrorism and brutality claiming the lives of hundreds of people every week.

    And then there is the walled, heavily militarized, guarded ‘green zone’, the base of operations of occupying forces, and home to the Western media who rarely venture beyond its walls, instead relying on Iraqis to source the footage and images they will modify for home consumption.

    In this sequence we see the unsettling juxtaposition of these two worlds, as women and children run for their lives amid volleys of gunfire in the red zone, while a US official bemoans the seating arrangements in a green zone conference room.

    Mainstream Media Sanitization

    The next clip contains some shocking imagery and isn’t advised for those with a weak stomach. In this sequence we see how the Western media cleanse scenes of devastation to avoid controversy or - from a more cynical perspective - avoid ill feeling against the occupying forces.

    In reporting a catastrophic event, like that of the recent market place suicide bombing that killed 71 people, there is barely a trace of blood, or anything approaching the carnage that had a direct and real impact on the lives of hundreds of people. Shots are carefully selected, and much of the reality of the situation is left on the cutting room floor.

    American War Atrocities

    Besides cleansing scenes of devastation of their brutal reality, another issue often avoided by Western media is that of American war atrocities. In any war, soldiers commit gruesome and otherwise criminal acts against civilians, and yet the duty of every good propaganda machine is to imply that brutality is a trait belonging only to the enemy.

    Even when shocking, controversial scenes do get out into the wild, they are edited to lessen their impact, and the effect that they might have on those watching them. In this next clip we see how footage of an American troop shooting an unarmed man in the head was variously edited and censored by mainstream media, and hear of how the incendiary nature of such footage is so often filtered or avoided altogether in a bid not to upset or enflame the ‘folks back home’.

    Journalists at Risk - From American Troops

    running_for_cover.jpg
    Civilians run for cover as a US assault chopper opens fire on a crowd

    Among the threats faced by journalists out in the field, one of the greatest is coming into contact with American troops. In the next clip Alistair McDonald of Reuters Baghdad explains that four Reuters journalists have been killed in Iraq, three of which were by the American forces.

    We then see how an American helicopter fired rockets into a crowd of civilians, including several journalists, at the scene of a burning armoured vehicle. The official line given was that it was to ‘prevent looting and harm to the Iraqi people’.

    Iraqi Reporters on the Front Line

    On the front line of news gathering, then, are the Iraqi independent journalists, and political bloggers risking their lives to document a country being torn apart, from within, and even by its occupiers. The dangers of being such an independent journalist are perhaps just as high as being a troop or ‘insurgent’, as these freelance and independent news gatherers ride directly into the heart of conflicts, spotting explosions from the rooftops and making their way directly to the scenes of danger.

    It is only the Iraqis who dare to venture beyond the green zone.

    For Western journalists to do so is to risk being shot on sight or kidnapped and held for randsome. And yet, the risks are little greater for those Iraqis taking up the challenge.

    To be seen with Western media, or wearing a flak jacket is to be suspected of being on the side of the loathed occupying forces. And yet, to blend too easily into the crowd is to risk death at the hands of the indiscriminate American troops at scenes of conflict. They are forever treading a knife edge between the two, trying to capture the reality of a situation that only seems to worsen by the day.

    In the next sequence we see the armoured convoys that take Western journalists through the streets of Baghdad in stark contrast to the unarmed, unarmoured Iraqi independent reporters making their way through the conflict by motorbike.

    The Importance of Bloggers

    blogger_interview.jpg
    Blogger Isam interviews the widow of a victim of the occupying forces

    Besides this new breed of independent journalists risking everything for the Western media there is a growing band of political (and apolitical, personal) bloggers trying to capture the devastation and release it to the world through the open medium of the internet.

    For while television is subject to network rules, and even government restrictions, the internet has proved itself as the one place that the grim reality of life in Iraq can be broadcast to the (Western) world.

    In this final clip we see independent blogger Isam, who turned his back on a career in electrical engineering three years ago to document the atrocities committed by the occupying forces.

    He says:

    When the Nazis or the fascists committed their crimes in Germany, Italy and other countries in the Second World War there was nobody to document them. If there were people documenting these crimes, they would have been held accountable, even 40-50 years after the end of the war.

    I certainly hope that the day comes when my footage can be used to reveal crimes and leave little space for denial.

    As the mainstream media filters through and cuts so many of these scenes, the importance of bloggers on a very real, political and ethical level becomes startlingly apparent.

    Mainstream Media vs. Grassroots Journalism

    One of the most powerful things revealed by this groundbreaking film is the true limit of mainstream media when faced with the harsh reality of war and devastation.

    As citizen journalism, political bloggers and independent journalists move to fill the gap, we are slowly being brought closer to an image of the reality of people’s lives in Iraq.

    Cheap recording and editing equipment, grassroots involvement and the Internet as an effective means of getting information to a potential audience of millions are transforming the media and the ways that it operates, while bringing us closer to the realities of everyday people.

    The top-down, heavily filtered, mass media are starting to show their frailty, and the power and influence of the small blogger reporting from the streets and independent local video producer are becoming increasingly important. But not only to us, who want to learn and understand the news without a watchful eye cleansing them up for us. But also for those who really want to provide us with access to quality, objective, and uncensored news streams, unlike what 90% of US-based main media tv channels have been doing.

    Independent media has a new home, and it isn’t on the television.

    Additional Resources

    If you are interested in finding out more about the issues raised in this post, you might want to take a look at the following websites:

  • Iraq Blogs, an extensive list of blogs coming straight out of Iraq
  • Media Lens on The Magical Transformation of the Supreme War Crime into a “Miscalculation”
  • “I am an Iraqi Journalist”, a think piece by Alia Amer for OpenDemocracy.net


  • Site Navigation