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The Future of Media Report for 2007 just went a live a second ago in PDF format, a little less than a week away from the Silicon Valley and Sydney based Future of Media Summit. This article provides an overview of the key concepts, issues and research results showcased within this interesting yearly media report. The 2006 edition of the Future of Media report, reviewed and commented at the time by Robin Good, achieved a great deal of interest, with over 70, 000 downloads of the freely available document across 20 countries. This year Ross Dawson and the team at Future Exploration Network have put together a compelling picture of the evolving convergence media landscape. Taking into account the shifting …

Want to see your online video mash-ups up there on the silver screen? The Basement Tapes is a collaborative documentary all about the changing face of copyright in the digital era, created by its online audience via video-sharing and remixing, an evolving online script powered by wiki-technology, and the rising new media form of the mash-up. Mash-up and remix culture are redefining the way that we interact with the media. Audiences today are no longer interested in sitting back and passively consuming bland, homogenous mass media, and are instead turning to participatory culture, aided by the new breed of social web applications. The Basement Tapes is an excellent case in point, encouraging its audience to play an integral role in …

It is now easier than ever to sell your pictures online, regardless of whether you are a professional photographer, or an everyday person armed with your camera-phone. In fact, the latter is increasingly desirable in the fast-paced, wait-for-no-man world of news content.

camera-phone-picture_bbb_id389600_size500.jpg
Photo credit: Alexander Kolomietz

Citizen journalists have already set about redefining how news is published, and where it is sourced from. Just as traditional journalism has slipped from the hands of an elite few, and into the hands of the many, thanks to the empowering, networked nature of the Internet, now the same is happening in the world of news photography.

The news industry has an insatiable appetite for fresh material, and if you happen to snap an exclusive image using your mobile phone’s camera, it could well earn you a tidy profit. News agencies, publishers and broadcasters are all tapping into the power the millions of people out there on the scene, armed with their ultra-mobile camera-phones. Their pictures are often rare gems which no amount of pro-photographers or press crews could have gotten by being sent on the news spot after the fact.

Dispatching a photographer to the scene takes time, and in the world of news, immediacy and getting an exclusive scoop are everything. If there are already people right where you need them, taking snaps of celebrities, disasters, freak weather and police car chases, it makes sense to use what they have to offer.

But how do news publishers track these citizen journalists down, and how do the citizen journalists themselves monetize their exclusive photographs?

How can you sell your photos online without having to reach out and contact all of your local major media outlets?

A range of online services offer solutions to this problem, and in this mini-guide, I talk you through the features that each has to offer. To find out how also you can start making money by selling your photos online while using only your mobile camera phone and some street smarts, read on.

Scoopt

scoopt

http://www.scoopt.com

The pitch: Scoopt is a UK-based company that has been set up as an intermediary between amateur photographers (primarily using their mobile phones to capture images) and the publishers interested in buying these images.

It’s key selling point is perhaps the active effort taken to promote and sell your images to well-paying news publishers, rather than expecting them to come and find you. With Scoopt out trying to place your work and get you the best possible rate for it (after all, there is a good commission in it for them), you can concentrate on taking photos rather than selling them.

What can you sell: Scoopt attempt to sell photos, videos and even blog posts.

Images Required: Scoopt request clear, in-focus, legal images that fall into one of the following categories, which must be chosen from when uploading:

  • Celebrities

  • Politicians
  • Royalty
  • Sporting
  • Other public figures
  • Headline news
  • Local news
  • Disaster
  • Military of conflict
  • Miscellaneous
  • Buyer-Seller Relationship: Scoopt serves as an intermediary between yourself and the market for news images. They will attempt to market and sell your images to newspapers, magazines, news organizations and other publishers.

    Image gallery: While primarily images are marketed directly to buyers, it is possible to view a featured pictures gallery. Buyers can also, once logged in, view a stock image library of those images that didn’t quite meet news requirements, giving images a longer shelf life.

    Your Share of the profits: 50/50 - Every time your image is sold to a publisher, you receive 50% of the amount paid.

    Terms and licensing: When you send an image to Scoopt, you automatically grant them a three month exclusive worldwide license, during which time images cannot be sold, shared or published elsewhere. After the three months have expired, images become non-exclusive and can be sold or published anywhere, including via Scoopt.

    Uploading: Images can be uploaded as an MMS from your camera-phone, or else via the Scoopt members area.

    Overall: Scoopt is a well presented, professional looking service that clearly targets its market-segment, and makes its terms explicit. While not everyone will like the 50/50 profit share, having your work actively promoted among media networks doesn’t always come cheap.

    Overall, Scoopt’s clarity, ease of navigation and slick professionalism help to place it as a service you could trust to represent you and your media.

    Sign up: Join Scoopt

    Cell Journalist

    celljournalist.jpg

    http://www.celljournalist.com

    The pitch: Cell Journalist is similar in purpose and form to Scoopt, except that it is based in the US, and as such caters to a different market.

    Like Scoopt, Cell Journalist offer to serve as an intermediary between you and the news agencies, TV broadcasters and other media publishers. As their name suggests, they also place a great emphasis on the power of the mobile camera-phone to capture newsworthy images and video.

    Unlike Scoopt, Cell Journalist foreground the sharing of social media, and have taken a YouTube approach which includes adding friends, rating images and sharing embedded photo slideshows.

    What can you sell: Cell Journalist will attempt to sell your images, video footage and news postings.

    Images Required: Cell Journalist say that they are looking for images and footage of everything from high school football games and city council meetings to celebrity sightings and extreme weather. Their partial list includes:

    • Celebrity sightings

  • Politicians
  • Hurricanes
  • Police chases
  • Sporting events
  • Press conferences
  • Buyer-Seller Relationship: Cell Journalist act as an intermediary between amateur photographers and videographers, and the news publishers that require their services. They will attempt to place your images and videos with news publishers on your behalf.

    Image gallery: Cell Journalist features a searchable image gallery that you can search by country, tags or category. Images can be rated using a star-based rating system, in the same style as YouTube.

    Furthermore, Cell Journalist features the ability to create and share photographic slideshows which can be embedded into blogs and websites. If your content is featured in another user’s site-embedded slideshow, you are promised 25% of the advertising revenue.

    Your Share of the profits: 50/50 - For every item licensed, you receive a fifty percent cut of the proceeds.

    Terms and licensing: According to Cell Journalist’s terms of service:

    Users upload files to CellJournalist.com on condition that they release all rights to the image, and give full permission to CellJournalist.com and its associates to use and publish the image in any way they wish.

    Uploading: Users can either upload images from the members area of the site, directly from their browser, or else email photos or videos to respective emails to be found in the Cell Journalist FAQ.

    Overall: While Cell Journalist is ostensibly similar to Scoopt in function, it is severely let down by its form. Some real work needs to be done here on both site navigation and design, and in clarifying the purpose and terms of the venture.

    In attempting to be both a social media sharing destination and a marketplace for citizen journalist content, at the moment it doesn’t seem to be sure of its identity. As such, I would feel reticent about entrusting indefinite, exclusive rights of my content to the service.

    To really move to the next level, in addition to the design elements that need tending to, Cell Journalist will need to streamline its goals, and help to clarify the exact terms that contributors will be working under.

    Sign up: Join Cell Journalist

    Scooplive

    scooplive.jpg

    http://www.scooplive.com

    The pitch: Scooplive is a Paris-based operation that takes a slightly different approach to selling citizen journalist media content. Instead of offering to sell on your work to news agencies for a fixed cut of the proceeds, Scooplive uses an Ebay-like auction system, whereby potential buyers bid against each other on images.

    What can you sell: Photos and video are currently supported, although the latter less so than the former.

    Images Required: Images are placed into categories, which in turn have sub-categories. The broad categories of content featured on the service are:

    • News

  • Events
  • Show biz
  • Arts and culture
  • Sports
  • Illustration
  • Buyer-Seller Relationship: Buyers access a different part of the site to sellers, and bid on images that they would like to make use of just as they would using any other online auction service, with the ability to set a maximum bid and have the service incrementally bid on their behalf.

    Image gallery: A sample gallery provides a limited overview of the images available via the service. Accredited buyers have access to the full range.

    Your Share of the profits: The commission rate on any sales you make via the Scooplive auctions is quoted as being ”up to 85% of the sale price”.

    Terms and licensing: When you send an image to Scooplive, you automatically grant them three months of exclusive world rights to that image, meaning that during that time you cannot publish, sell or otherwise share this image with anyone else. After the three months have elapsed, Scooplive will continue to sell your image, but it will relinquish exclusive rights to it.

    Uploading: Images can be uploaded either from within the members’ area of the website, via your browser, or using MMS messaging from your camera-phone. It is also possible to send prints, slides, negatives or CDs / DVDs to the company’s postal address.

    Video clips are supported, in a manner of speaking, in that you have to contact the site owners from the member’s area to discuss sending video to them.

    Overview: Scooplive has opted for an interesting approach to this expanding area, by creating a semi-exclusive marketplace. To access the auctions, you must first prove yourself to be an authentic, verified business. The idea here is to keep scoops fresh by not showing them to the world.

    How successful this auction approach will be remains to be seen, but if the service is to succeed they would do well to clear up some small issues, such as the fact that the English version of the website (the default) only has a French language terms and conditions. As terms will be important to those wishing to submit images, oversights like this make the service feel slightly under-baked.

    Sign up: You can register as a buyer or seller.

    SpyMedia

    spymedia.jpg

    http://www.spymedia.com/

    The pitch: SpyMedia offers you two ways to sell images. The first is much like any stock photo agency, whereby images are uploaded to a categorized library and sold on.

    The second is slightly more innovative - potential buyers put out a ‘bounty’, essentially an assignment with a price tag, letting SpyMedia members know the image they require, and how much they are willing to pay for it. Members can then submit entries to the buyers, who will pay the ‘bounty’ for any of the images they would like to make use of.

    What can you sell: SpyMedia focuses its attention on photographic images.

    Images Required: Requirements are dictated by buyers, and range from the very generic (’back to school photos’) to the incredibly specific (’Dave Chappelle tour - sneakers’).

    Uploading images to the stock library on the other hand simply requires you to categorize your image. The categories, which are too numerous to list in full, include:

    • Arts & culture

  • Bizarre
  • Celebrity
  • Technology
  • Sports
  • Historical
  • Buyer-Seller Relationship: The buyer-seller relationship is explicitly focused on amateur and pro-am photographers providing images according the specification set out in the SpyMedia marketplace.

    Image gallery: In addition to offering the image ‘bounty’ service, there is an extensive stock library.

    Your Share of the profits: Buyers set the price they are willing to pay for the image that they have put a bounty out on. These prices seem to average out at about $25 - $50.

    For stock images, you are free to set your price. In either case, Spy Media will take a 35% commission, and this is deducted from your earnings along with a 30¢ + 2.9% PayPal transaction fee. Payments are made once your account balance reaches $100.00.

    Terms and licensing: The SpyMedia terms and conditions note that:

    Spy Media a royalty-free, perpetual, non-exclusive right and license to host, cache, route, transmit, store, copy, distribute, perform, display, reformat, excerpt, analyze, and create algorithms based on the Content…

    Uploading: Images are uploaded from the members area. Here, it is possible to set your own pricing and terms, giving different prices for exclusive rights, 30 day exclusive rights, personal use only and non-exclusive rights.

    Overall: SpyMedia’s bounty system is a bright idea, and while it isn’t going to make any millionaires at the present time, it is a great way for everyday people to make some extra money from the images they happened to snap from their camera-phone.

    By introducing the assignment concept to this expanding field, it becomes a lot easier for buyers to get exactly what they need. As anyone who spends a lot of time scouring stock image libraries will testify, this could save a lot of time and prevent a lot of headaches.

    By also allowing users to set their own prices for stock images, SpyMedia also gives a greater amount of control than the other services mentioned.

    Sign up: Join SpyMedia

    Citizen Image

    citizenimage

    http://www.citizenimage.com

    The pitch: Citizen Image brings a service that combines the best aspects of several of its predecessors.

    Like SpyMedia, it features an assignment board from which buyers can request specific images and prices.

    And like Scoopt and Cell Journalist the service is geared up to actively promoting the work of its members in the news publishing community, to secure sales on uploaded images.

    What can you sell: Citizen Image sell both news images and creative photography.

    Images Required: Citizen Image are looking for content that falls into the following categories:

    • News

  • Sporting events
  • Celebrity sightings
  • Topical weather
  • Images of real life situations - especially business and lifestyle
  • Animals
  • Architecture
  • Other creative photography, from concepts to abstracts
  • Buyer-Seller Relationship: Buyers can either browse the Citizen Image database, or else directly request images via the assignment board. In both cases, Citizen Image serves as an intermediary between buyer and seller.

    Image gallery: Images can be searched directly from the Citizen Image frontpage, and random, categorized images can be displayed within the broad fields of ‘creative’, ‘travel and daily life’, ’sports and entertainment’ and ‘news’.

    Your Share of the profits: 50 / 50. Anything you sell or license via the service is split down the middle, and you receive 50% of the proceeds.

    Terms and licensing: Newsworthy images are licensed to Citizen Image on 3 month exclusive terms, meaning that these images cannot be published (on or offline) or sold elsewhere for the duration of this time.

    Uploading: Images can be uploaded directly to the members area of the Citizen Image site, via your browser, or else you can send them in using MMS from your camera phone. Time critical images can be emailed directly to newsalert@citizenimage.com.

    There are in depth details about the requirements of your images, including the image format and resolutions required.

    Overall: Citizen Image offers a very well rounded experience for both buyers and sellers. By making their needs, requirements and terms detailed and explicit, there is little room for confusion, which cannot be said for some of the other services working in this expanding field.

    Overall, there is a much greater air of professionalism about the service than several others, and along with Scoopt the service stands out as one that might appeal to both professional photographers looking to get involved in new ways of selling their images, and the camera-phone toting citizen journalists rising up from the Web 2.0 landscape.

    Sign up: Join Citizen Image

    Additional resources for selling your photos online

    If you would like to learn more about how to sell your photographs and pictures online, about the web services detailed in this mini-guide, or about additional ways in which to monetize your photographic efforts, you might want to check out the following websites:

  • Mark Glaser on visual citizen journalism
  • Robin Good’s review of StockXpert, another popular destination for those looking to sell stock images
  • Cyber Journalist’s list of citizen media initiatives
  • This is the news indeed: Congress is considering sending critics to jail, and in particular it places it focus for preventive action on what should be the very source of government dissent and criticism in any democratic country: the grassroots.

    While not yet an official law, this is indeed the meat of the new legislation currently being considered by the US Congress to regulate grassroots communications.

    silence_by_Rivello.jpg
    Photo credit: (c) Rivello

    In what appears one of the darkest moments in history of the United States, the U. S. Senate appears to be close to impose criminal penalties and even jail time, on “grassroots causes” and “citizens who criticize Congress”.

    Here the details:

    Section 220 of S. 1, the lobbying reform bill currently before the Senate, would require grassroots causes, even bloggers, who communicate to 500 or more members of the public on policy matters, to register and report quarterly to Congress the same as the big K Street lobbyists.

    Section 220, of the ‘Legislative Transparency and Accountability Act of 2007’ would amend existing lobbying reporting law by creating the most expansive intrusion on First Amendment rights ever.

    For the first time in history, critics of Congress will need to register and report with Congress itself.

    A week ago, on January 9th 2007, the Senate passed Amendment 7 to S. 1, to create criminal penalties, including civil fines of up to $100,000 and up to one year in jail, if someone ‘knowingly and willingly fails to file or report.’

    The bill would require reporting of ‘paid efforts to stimulate grassroots lobbying,’ but defines ‘paid’ merely as communications to 500 or more members of the public, with no other qualifiers.

    US Senator Vitter (R-LA), however, is now a co-sponsor of Amendment 20 by Senator Robert Bennett (R-UT) to remove Section 220 from the bill. Unless Amendment 20 succeeds, the Senate will have criminalized the exercise of First Amendment rights.

    According to multiple reports available online, the new legislation would regulate small, legitimate nonprofits, as well as bloggers and individuals, while simultaneously offering wide loopholes for corporations, unions, and large membership organizations that would be able to spend hundreds of millions of dollars, while not being forced to report about them.

    Is the US getting into becoming a visible totalitarian state?

    While the government says “no”, the simple facts in front of your eyes would seem to spell a different story.

    Check and decide for yourself: Here are the common traits of popular totalitarian states drawn from the past governments of Germany (under the Nazis), Italy (under Mussolini), Spain (Franco), Indonesia (Suharto) and of some Latin American countries:

    1. Powerful and continuing nationalism: Totalitarian regimes tend to make constant use of patriotic mottos, slogans, symbols, songs, and other paraphernalia. Flags are seen everywhere, as are flag symbols on clothing and in public displays.
    2. Disdain for the recognition of human rights: Because of fear of enemies and the need for security, the people in totalitarian regimes are persuaded that human rights can be ignored in certain cases because of “need.” The people tend to look the other way or even approve of torture, summary executions, assassinations, long incarcerations of prisoners, etc.
    3. Identification of enemies/scapegoats as a unifying cause: The people are rallied into a unifying patriotic frenzy over the need to eliminate a perceived common threat or foe: racial, ethnic or religious minorities; liberals; communists; socialists, terrorists, Islamic terrorists, etc.
    4. Supremacy of the military: Even when there are widespread domestic problems, the military is given a disproportionate amount of government funding, and the domestic agenda is neglected. Soldiers and military service are glamorized.
    5. Rampant sexism: The governments of totalitarian nations tend to be almost exclusively male-dominated. Under such regimes, traditional gender roles are made more rigid. Divorce, abortion and homosexuality are suppressed and the state is represented as the ultimate guardian of the family institution.
    6. Controlled mass media: Sometimes to media is directly controlled by the government, but in other cases, the media is indirectly controlled by government regulation, or sympathetic media spokespeople and executives. Censorship, especially in wartime, is very common.
    7. Obsession with national security: Fear is used as a motivational tool by the government over the masses.
    8. Religion and government are intertwined: Governments in fascist nations tend to use the most common religion in the nation as a tool to manipulate public opinion. Religious rhetoric and terminology is common from government leaders, even when the major tenets of the religion are diametrically opposed to the government’s policies or actions.
    9. Corporate power is protected: The industrial and business aristocracies of totalitarian (mostly fascist) nations often are the ones who put the government leaders into power, creating a mutually beneficial business/government relationship and power elite.
    10. Labor power is suppressed: Because the organizing power of labor is the only real threat to a fascist government, labor unions are either eliminated entirely, or are severely suppressed.
    11. Disdain for intellectuals and the arts: Totalitarian nations tend to promote and tolerate open hostility to higher education, and academia. It is not uncommon for professors and other academics to be censored or even arrested. Free expression in the arts and letters is openly attacked.
    12. Obsession with crime and punishment: Under totalitarian regimes, the police are given almost limitless power to enforce laws. The people are often willing to overlook police abuses and even forego civil liberties in the name of patriotism. There is often a national police force with virtually unlimited power in such nations.
    13. Rampant cronyism and corruption: Totalitarian (and in particular, fascist) regimes almost always are governed by groups of friends and associates who appoint each other to government positions and use governmental power and authority to protect their friends from accountability. It is not uncommon in such regimes for national resources and even treasures to be appropriated or even outright stolen by government leaders.
    14. Fraudulent elections: Sometimes elections in totalitarian nations are a complete sham. Other times elections are manipulated by smear campaigns against or even assassination of opposition candidates, use of legislation to control voting numbers or political district boundaries, and manipulation of the media. Such totalitarian nations also typically use their judiciaries to manipulate or control elections.

    How many of the above traits seem to be creeping or already part of the United States democracy in power today?

    Outline of 14 totalitarian governments above excerpted from “The 14 Characteristics of Fascism” first published on globalresearch.ca by Lawrence Britt in Spring 2003 - I have willfully edited the word “fascist” in most instances and replaced it with the word “totalitarian” to provide greater access to the above from those with strong prejudices against the association of the word “fascist” with the government of the US.

    Reference: PR Newswire story from Jan 16 2007, 06:34 PM

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    As major media consolidation deals bring more and more publishing houses into private hands, the challenges of converting these properties that can respond to the needs of niche markets are becoming more acute. Photo credit: Tina Rencelj Combining infrastructure and staffs cannot be the only factor leading to more success in publishing markets that are by their nature highly decentralized. There is a gap in management skills, industry outlook and strategic vision in publishing companies that is going to be hard to fill without confronting the waves of users who are eager to create their own decentralized media markets. Here the full story:…

    Most often, when people are asked to describe the current media landscape, they respond by making an inventory of tools and technologies. Our focus should be not on emerging technologies but on emerging cultural practices. Rather than listing tools, we need to understand the underlying logic shaping our current moment of media in transition. Photo credit: picpics These properties cut across different media platforms and different cultural communities: they suggest something of the way we live in relation to media today. Understanding the nature of our relationship with media is central to any attempt to develop a curriculum that might foster the skills and competencies needed to engage within participatory culture. The contemporary media landscape is:…



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